Daniel Henri Emond is a NYC-based singer and composer for Musical Theatre who prefers to write his bio in 1st person.
My rock opera KILL THE WHALE: A MUSICAL ODYSSEY has seen development in Polyphone Festival, Yaddo, SPACE on Ryder Farm, Corkscrew Festival, NYU, the Melville bi-Centennial Conference, and Nantucket Theatre Workshop. Other composing credits include the multi-lingual score to the International Production of Neil Bartlett’s The Plague at Hong Kong Arts Festival 2021, and DAWN, a new Folk Musical, at Signature Theatre.
I just workshopped a dream musical about Freud as an artist-in- Residence at Culture Lab at the Plaxall Gallery and at the Good Hart Residency in Michigan.
I’m a 2021 and 2022 Larson finalist, the recipient of a 2023 NYFA grant, and a 2023 CREATE finalist with the American Composer's Forum.
I sometimes tour as a banjoist, and I write down every dream I can remember.
I've worked or performed with Sam Bush, Ingrid Michaelson, Dave Malloy, Nathaniel Philbrick, Grace McLean, Larry Cordle, Lyle Lovett, Steve Earle, and others.
My rock opera KILL THE WHALE: A MUSICAL ODYSSEY has seen development in Polyphone Festival, Yaddo, SPACE on Ryder Farm, Corkscrew Festival, NYU, the Melville bi-Centennial Conference, and Nantucket Theatre Workshop. Other composing credits include the multi-lingual score to the International Production of Neil Bartlett’s The Plague at Hong Kong Arts Festival 2021, and DAWN, a new Folk Musical, at Signature Theatre.
I just workshopped a dream musical about Freud as an artist-in- Residence at Culture Lab at the Plaxall Gallery and at the Good Hart Residency in Michigan.
I’m a 2021 and 2022 Larson finalist, the recipient of a 2023 NYFA grant, and a 2023 CREATE finalist with the American Composer's Forum.
I sometimes tour as a banjoist, and I write down every dream I can remember.
I've worked or performed with Sam Bush, Ingrid Michaelson, Dave Malloy, Nathaniel Philbrick, Grace McLean, Larry Cordle, Lyle Lovett, Steve Earle, and others.